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odyssey theme essay Been Down So Long It Looks Like Up To Me. New York: Random House, April 28, 1966. I been down so long, seem like up to postmodernism, me, Gal of mine got a heart like a rock in the sea. --Furry Lewis, Turn Your Money Green (adapted by Eric von Schmidt as Stick With Me, Baby on the album Dick Faria Eric von Schmidt) THIS NOVEL WAS DECODED WITH. PURSUIT OF THE Real, and escape from Reality. An interpretation by. licensed Faria nut.

i.) Background: The Cornell School Published April 28, 1966, two days before Faria died in a motorcycle accident, Been Down So Long It Looks Like Up To Me became a cult favorite among fans of his music and eventually attracted the attention of a more literary readership through Faria's association with Thomas Pynchon, who wrote a blurb for the novel. Faria had mentioned Pynchon in the notes for his song V. on Celebrations for a Grey Day and also in his 1963 essay, Monterey Fair, published in Mademoiselle (March 1964). But Faria was known for his name-dropping, and cover blurbs are often commercially motivated. It wasn't until the what, publication of art Pynchon's gargantuan novel, Gravity's Rainbow, (1973) that people began to consider a significant literary connection between the management titles, two writers. That formidable brick of a book, which many regard as the most important novel of the latter half of the 20th century, was Dedicated to Richard Faria, and that tribute alone makes Been Down So Long worthy of literary study. It was Leslie Feidler, the ornery and iconoclastic literary critic, who first applied the architectural term postmodern to literature. He once explained the term thus: I'll try to art, say for the last time why I invented this term to cross cultural, begin with. I thought it was a strategy that could be used in the field of literature, just as it had been used earlier in the field of architecture, where people had made it clear that the golden arches of McDonald's were to be taken quite as seriously as any high-flown, high-blown attempt at building a new building. (3) Like Nabokov and Pynchon, Faria gathers the trappings of contemporary American life in all its tawdry plastic commercialism, forging from the art, materials of pop culture a common language between himself and creation his contemporary audience to tell a tale of high seriousness through low humor. And like so many of the novels of Nabokov and Pynchon, Faria's novel is a quest. ii.) The Quest for the Real.

Been Down So Long It Looks Like Up To Me is the tale of a world-weary traveler who has been on postmodernism art, a voyage and seen many horrors and has returned a changed man, like the blue-eyed son in Dylan's A Hard Rain's A-Gonna Fall. But while the blue-eyed son returns galvanized, ready to proselytize, determined to no eyes summary, confront the injustices he has seen, Faria's character, Gnossos Pappadopoulis, is postmodernism art, reluctant to talk about what he has seen. Like the taciturn heroes of cultural Hemingway's fiction, he is morally paralyzed by his experiences and now seeks only alleviation and escape. Faria's model for Gnossos is Odysseus, weary veteran of the postmodernism, Trojan War, the prototypal anti-hero, the original draft-dodger, who cares not for glory but just wants to go home. Gnossos' first mission in the novel is to find a home, an apartment. The lyrical overture of the novel is awash in is foregrounded, allusions to The Odyssey.

The entire novel, especially the geographical names of this fictional college town (based on Ithaca in Upstate New York, home of Cornell Univesity and postmodernism art of course namesake of Odysseus's island), is littered with absurd classical allusions: we hear of on Wal-Mart Essay Harpy Creek, Dryad Road, the Plato Pit (a restaurant), Circe Hall (a women's dorm) , Hector Ramrod Hall, Minotaur Hall, Labyrinth Hall, etc. Even Gnossos's ridiculous name is oddly allusive. Does it refer to Knossos, the Mediterranean island, home to the city of Crete, where the minotaur roamed the labyrinth? (At one point we are told that Gnossos bellowed like a Cretan bull. (165)) (4) The name may also allude to the Greek word for knowledge. The root is gno, cognate with the English know, and it yields the verb gignsko, (to know) and the nouns, gnsis (knowledge), gnstes (one who knows), and angnosis (recognition), often used as a literary term to refer to postmodernism art, recognition scenes in drama. Gnossos is one who has gained a painful knowledge from hawaiian creation myth, his travels but has not yet learned to use it: his knowledge has not been transubstantiated into wisdom. As with the postmodernism, absurdly named college halls and roads, some essence from the what is foregrounded, past has been lost, cheapened, commodified, scrambled into the kaleidoscopic alphabet soup of pop culture. Postmodernism. Another of the academic halls is a man who had, called Anagram Hall (52) which appropriately symbolizes the loss of meaning in the jumble of modern life. Later in the novel we will meet G. Alonso Oeuf, the mastermind behind Gnossos' downfall, who splutters phrases in a half-dozen languages. But behind his pseudo-sophistication lies nothing but clichs; he too represents the fallen state of the modern world. Like Kurtz sprawled on his stretcher in Conrad's Heart of postmodernism art Darkness (all Europe contributed to the making of Mr. Kurtz), Oeuf seems a conglomeration of enervated cultures, the weary terminal of history, an hawaiian creation, ailing, infirm, meaningless scrapheap of allusions rotting in postmodern squalor.

Gnossos' quest is to find the postmodernism, meaning behind the easy allusions. In the late fifties there arose among among youth a yearning for meaning, substance, roots, authenticity. Authenticity above all was idealized by young discontents. It was, in varying degrees, a catalyst of the Beat movement, the Blues Revival, and the back-to-land communes and pastoral pilgrimages of the Hippie movement. But it was a particular fetish of the urban folk revival. In Positively 4th Street, David Hajdu explains the appeal of folk music among college students in the late fifties by noting that it coincided with the invention of plastic: folk music put a premium on naturalness and creation authenticity during a boom in man-made materials, especially plastics.

It was a music that glorified in the unique and postmodernism art the weird, challenged conformity and celebrated regionalism during the of Slave, rise of mass media, national brands, and interstate travel. (5) Been Down So Long It Looks Like Up To Me is set mainly in 1958, when the folk music revival was just warming up (the Kingston Trio scored a hit that year with the badman ballad Tom Dooley). But aside from the guitars, dulcimers and autoharps at house of Grun, a friend of Gnossos, most of the musical references are to the jazz of the art, Beatniks. In one scene, however, Gnossos plays Mose Allison's 1957 album, Back Country Suite, a country-blues and jazz fusion. As Mose Allison blends the two genres, Gnossos falls somewhere between the two movements. His outward rhythm is the syncopated beat of jazz, but his inner song is the lonesome highway of folk. He shares with both the beats and of Slave Essay the folkies a contempt for postmodernism art, the bourgeois, the superficial, the mass-marketed.

Amid all this posing Gnossos also attempts to assert his own ethnic identity. His Greek heritage provides him a link to the archetypal, the mythic, something enduring to prop up amid the littered postmodern world. Yet this self-assertion of identity often takes mundane forms. His rucksack, that Jungian baggage of his identity, holds sundry tokens of hawaiian creation myth his Greek heritage: dolma leaves, Greek wine, and mouldy goat cheese. The silver dollars are also assertions of the Real, the Authentic, the true coin of the realm rather than paper representations thereof.

Explaining his use of silver dollars to Dean Magnolia, he warns of art parasitic corruption that gets spread through the management titles, handling of dollar bills. (54) When a cashier questions the silver dollars, Gnossos claims that he is Montezuma and threatens to postmodernism, tear out her heart and eat it raw. More posing, more delusions of heroic grandeur, the assertion of an on Wal-Mart Essay, ancient archetype to postmodernism art, muscle out the present, the ephemeral, the corrupt, the artificial. The Power Essay. All this is represented by the cashier smelling of purchased secrets from Woolworth's, lips puckered, passion plucked or pissed away some twenty years before. The resigned are my foes. (22) Gnossos has a similarly arrogant attitude to a platinum-haired girl working in a drugstore.

Deaf to her doom, he imagines, and ascribes another pathetic narrative to her life: See her in a year, straddling some pump-jockey in the front seat of a '46 Ford, knocked up. Watching Gunsmoke in their underwear, cans of Black Label, cross-eyed kid screaming in a smelly crib. Ech. Immunity not granted to all. As in art, the Montezuma scene, Gnossos requires heroic posing to hawaiian, assert his superiority over her: explaining his use of art bath oil, he says, Ancient custom is cultural issues, all, balm for warrior, makes you good to feel, right? (171) Like his alternating identities, the Greek food and the silver dollars are tumbled together in the rucksack with tokens of postmodernism art childhood fantasy, such as rabbits' feet (Placate all the on Wal-Mart Essay, gods and demons, finger in every mystical pie (114)) and the Captain Midnight Code-O-Graph, which loses a spring at a significant moment in the story. Postmodernism Art. When Gnossos learns that he has been partly responsible for the death of management Simon, a fellow student who killed himself upon learning that his girlfriend was in love with Gnossos (who had seduced her in an earlier chapter), he experiences what may be the silliest epiphany in all literature: . while roaming the streets in a hopeless attempt to pace away an oily guilt, to postmodernism art, purge the Narratives, accusing picture of Simon sucking an exhaust pipe, he looked into his rucksack for a vial of paregoric to soothe his agitated nerves.

But instead he found the Code-O-Graph, neatly sprung in two where it had been sitting, with all innocence of inanimate purpose, in a bed of rabbit's feet. While he was turning it over in his hands it discharged its secret little Captain Midnight spring with a boing, shuddered, and lay lifeless forever. Postmodernism. (110) The passage has a number of remarkable parallels that nag at Gnossos' conscience. Gnossos' craving for an opium-laced cigarette to smoke corresponds to A Target on Wal-Mart Essay, the image of Simon sucking on an exhaust pipe; one is an unconscious mimickry of the other. The reference to oily guilt recalls an earlier scene where Monsignor Putti comes to postmodernism art, deliver Extreme Unction but instead anoints Gnossos' feet in a lovely sacrament, explaining that one's feet carry one to sin. (50) Yet now Gnossos seeks to pace away his guilt by cultural issues roaming the streets, and he finds the epiphany of his lost innocence in a bed of rabbit's feet. (110) The themes of escape and guilt, futile cautionary superstitions and reckless behavior are so inextricable linked that they seem to hound each other in an eternal, hellish circle. iii.) The Deathwish. Will claim the steps I sow, The whispers in the ocean deep. shall pick my weary bones. Was Faria haunted by the whispers of the dead?

Like Tennyson's Ulysses, who lost so many of art his companions at myth sea, and in old age found that the art, deep moans round with many voices, perhaps Faria was tormented by the memory of the men killed on the boat. Perhaps this deathwish attracted Faria to Michelangelo's poem, Sleep. Faria quotes this poem both in Been Down So Long and in the short story The Good Fortune of Stone. In the short story he quotes the poem in the original Italian: Caro m' il sonno e pi l'esser di sasso. Mentre che'l danno e la vergogna dura, Non veder, non sentir, m' gran ventura; Per non me destar, deh! parla basso.(9) In Been Down So Long, Gnossos translates part of the poem into English at a frat party: Dear to me is on Wal-Mart Essay, sleep. While evil and shame endure, not to see, not to feel is my good fortune. (30) Here is a translation of the entire passage: Dear to art, me is sleep, and on Wal-Mart Essay dearer to be made of art stone. While evil and shame endure, Not to on Wal-Mart Essay, see, not to feel, is to postmodernism, me a good fortune,

Therefore do not wake me. Titles. Shh! Speak softly. The story The Good Fortune of Stone is another version of the postmodernism art, wolf story told in the novel. Pynchon states in his 1983 introduction to the novel that Faria told this story many times. The near-death experience recounted in both versions of the wolf story must have touched him profoundly, and this, combined with his feeling of guilt (vergogna), may have given him the conflicting impulses of a deathwish and a feeling of exemption, two impulses which, it seems to me, are never entirely resolved or sorted out from hawaiian myth, each other in the novel. Not that everything needs be resolved; art is not there for us to simply decode or figure out. The broken Code-O-Graph puts an postmodernism, end to the easy answers of childhood, and Narratives Gnossos too ridicules such patness. Postmodernism. When Pamela says, Must you be so cryptic? Gnossos thinks to himself, Always present a moving target, and answers sarcastically, Define a thing and you can dispense with it, right? (39) But sanity for Gnossos would lie somewhere between the untroubled, patly-defined life of Gunsmoke junkies and the nervous energy of the perpetually moving target.

Gnossos' deathwish is a yearning for quiescence, for the quelling of who had no eyes summary his conscience. The impossibility of postmodernism art this yearning gives him a contempt for those who have some modicum of peace in is foregrounded, life, those who are deaf to their own doom. In the song, Sell-Out Agitation Waltz, Faria scorns such people who ain't aware that every morning they wake up dead. Postmodernism Art. And yet death is his own secret wish; he hovers between cherished life and longed-for death: Sweet mortality, I love to tease your scythe. (169) Herein lies the protagonist's central conflict. He went in quest of something Real, but he has found and seen things of such terrifying reality that he needs to numb himself. He anesthetizes himself through drugs, through his posture of management coolness, through masquerading as superheroes and other heroic figures of postmodernism art myth and history, and most significantly through his declaration of Exemption. The delusion of exemption derives from a man who had summary, some harrowing experiences in Gnossos' travels. He almost died in the frozen snow of the Adirondacks while pursuing a wolf; he witnessed an atom bomb explosion in Las Vegas; and watched someone being tortured by pachucos in New Mexico. His escape from the dangers he experienced has given him, at postmodernism a conscious level, a belief that he is Narratives, exempt: I've been on a voyage, old sport, a kind of art quest, I've seen fire and on Wal-Mart pestilence, symptoms of a great disease.

I'm exempt. (15) His friend Calvin Blacknesse had warned him of the paradoxical snares of exemption. (56) It is a rationalization or perhaps an inversion of a deeper, unresolved fear. Like victims of post-traumatic stress disorder who imagine that they are Jesus Christ, Gnossos embraces his delusion of exemption as a way of postmodernism art protecting himself from further harm. Like Faria, Gnossos is haunted by a pandemonium of phobias. He fears demons, monkeys, all manner of bad omens which he seeks to avert by Essay superstitious rituals, such as the Mediterranean apotropaic ritual of postmodernism art clutching the a man no eyes, testes. When he sees the monkey in postmodernism, the loft, he clutches his groin to hex away the cultural issues, dangers of the postmodernism, underworld. (131) These are not the actions of one who truly believes he is immune from death. Exemption is cross issues, a defense, a mantra I am not ionized and I possess not valence (12)), an apotropaic trinket, a superpower to save the day. It is with relief that we watch Gnossos finally relinquish the rucksack, in his usual ritualistic way, at art the grave of Heffalump in Cuba. The rite of passage into Essay, manhood seems long overdue, after his pre-novel travels, the death of Simon, his brush with the clap, and the death of art Heffalump.

There are perhaps too many mini-resolutions in who had no eyes, the novel, too many epiphanies, too many karmic adjustments rather than one big, cathartic, aesthetically satisfying climax, and along the art, way we have to management, put up with too much of Gnossos' posing and pointless partying. As a result, many critics have overlooked the complexity and significance of the novel altogether, dismissing it as an art, outdated effort now useful only as a document of its time. A Village Voice review of cross cultural management Hajdu's Positively 4th Street claimed that the novel's sole surviving virtue is as an early case study in hip male chauvinism.(10) There are many other themes in postmodernism art, this complex novel that I have not even addressed here, and many aspects that I still do not understand, many allusions to pop culture, literature, science, and math that I just don't get. A Target. Furthermore, there is reason to believe that despite the years that Faria devoted to writing and revising the novel, it never became a fully-realized expression. Mimi observed in an interview with Patrick Morrow that the composition of the novel spanned two continents and two marriages. (12) I will add to postmodernism, this that it was begun in the author's obscurity, when he craved recognition (in the same interview Mimi said, It's hard to feel great when you're not being acknowledged at cross cultural management the time.), and it was finished when Faria had achieved the extraordinary success of postmodernism two critically-acclaimed albums. Most first novels are uneven, revealing imperfectly blended layers of experience, but Faria's was more uneven than most, begun, according to his own legend, a few minutes after quitting his role as a blind harmonica player huckstering on the streets of a man who had no eyes summary France, and completed by a respected musician acclaimed by Pete Seeger and Jean Ritchie.

By his own admission, Faria was still in the process of resolving the art, conflict between Inside and Outside, which he describes as Gnossos' role as well, in an article written a few days before he died. (13) A further complication in the novel's genesis is that one of its major innovations, the use of on Wal-Mart Essay illustrations to portray episodes that would only be alluded to in the text itself, was rejected by the publisher. The editor at Liveright Publishing who rejected William Faulkner's third novel, Flags in art, the Dust, told the young author, The trouble is management, that you had about 6 books in here. Your were trying to art, write them all at once. Management Issues. (14) This, I believe, is one of the problems with Faria's confusing novel, the outcome of two marriages, two continents, two careers, and God knows how many conceptions of what the novel would be. But when reading the first few novels of Faulkner we have the more successfully executed genius of later novels to cast a clearer light on art, the tentative, gestating ideas of the earlier work. The Power Of Slave Narratives Essay. With Faria we do not have that advantage.

Guessing at his literary potential from his novel is postmodernism, a bit like predicting FOOTNOTES: 1.) Bluestein, Gene. Tangled Vines. (a review of Thomas Pynchon's Vineland.) The Progressive. June 1990, Vol. 54, issue 6, p. A Target Essay. 42-3. 2.) Coover, Robert, et al. Nothing But Darkness and Talk? Writers' Symposium on Traditional Values and Iconoclastic Fiction. Critique. Summer, 1990, vol. 31, issue 4, p. Art. 233ff.

4.) Faria, Richard. Been Down So Long It Looks Like Up To Me. New York: Random House, 1983. The Randon house and Penguin paperbacks are both reprints of the original Random House edition, but the Dell paperback was an creation myth, entirely different typeset. Therefore, the page numbers in this essay will apply to all but the Dell paperbacks. 5.) Hajdu, David.

Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Faria, and Richard Faria. New York: Farrar, Straus and Giroux, 2001. Pages 10-11. 6.) When Faria was writing the book in the early sixties, comic books were just beginning to gain an postmodernism, older audience, as Stan Lee, editor and The Power Essay head writer of Marvel Comics, created a new generation of more realistic superheroes who had real-life problems, neuroses, and foibles. In The Electric Kool-Aid Acid Test, published two years after Faria's novel, Tom Wolfe also observes the frequent identification with comic book heroes, and their leotarded images began appearing on art, album covers around this time. However, Faria's novel takes place in The Power of Slave Essay, 1958, and Stan Lee's first experiments with the new comic book hero, The Fantastic Four, did not arrive until 1961. 7.) Quoted in Faria, Richard. Art. Long Time Coming and a Long Time Gone. New York: Random House. The Power Of Slave. p. Postmodernism. 40 (p. 36 of the Dell paperback).

Mr. Fantastic, the Stan Lee creation who had the same stretchy power, debuted in 1961, before the novel takes place. 8.) Unterberger, Richie. Urban Spacemen and Wayfaring Strangers: Overlooked Innovators and Eccentric Visionaries of '60s Rock. San Francisco: Miller Freeman Books, 2000. 9.) Faria, Richard. The Good Fortune of Stone. Reprinted in what is foregrounded, Long Time Coming and a Long Time Gone, p. 161 (p. Postmodernism Art. 151 of the Dell paperback). 10.) Robert Christgau, Folking Around, Village Voice, June 26, 2001, p. 79.

11.) Been Down shares many themes with The Electric Kool-Aid Acid Test: the preoccupation with drugs, sex, superheroes, the countercultural distrust of the Establishment. Gnossos' urge to depart from society, conflicting with his awareness that one always has to return to that society, finds its parallel in the dilemma of the Merry Tricksters: no matter what heights of titles discovery one reached through acid, one always had to return to earth, one always had to come down. Postmodernism. Kesey never fulfilled his determination to go beyond acid because society's pruderies got to him first and put him in jail. Likewise, Gnossos' petty pranks earlier in the novel eventually get him busted, and he is cross cultural management, sent into the army. Postmodernism. In both books the hawaiian creation, Establishment prevails over postmodernism, counterculture enlightenment. The theme of exemption also arises in management titles, Electric Kool-Aid; see page 35 of the Bantam edition. 13.) The Writer as Cameraman. Long Time Coming and a Long Time Gone, p. 41-42.

14.) Blotner, Joseph. Faulkner: A Biography. Revised one-volume edition. Postmodernism. New York: Vintage, 1991. Hawaiian Creation. p. 223.

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43 Resume Tips That Will Help You Get Hired. When you haven’t updated your resume in a while, it can be hard to know where to start. What experiences and accomplishments should you include for the jobs you’ve got your eye on? What new resume rules and postmodernism trends should you be following? And seriously, one page or two? Well, search no more: We’ve compiled all the management titles resume advice you need into one place. Read on for tips and tricks that’ll make sure you craft a winning resume—and help you land a job.

Your resume should not have every work experience you’ve ever had listed on it. Think of your resume not as a comprehensive list of postmodernism your career history, but as a marketing document selling you as the perfect person for the job. For each resume you send out, you’ll want to highlight only the accomplishments and skills that are most relevant to The Power the job at hand (even if that means you don’t include all of art your experience). Job search expert Lily Zhang explains more about what it means to tailor your resume here . 2. But Keep a Master List of All Jobs. Since you’ll want to be swapping different information in and out depending on the job you’re applying to, keep a resume master list on your computer where you keep any information you’ve ever included on a resume: old positions, bullet points tailored for different applications, special projects that only hawaiian creation sometimes make sense to include. Then, when you’re crafting each resume, it’s just a matter of art cutting and pasting relevant information together. Think of titles this as your brag file . 3. Put the Best Stuff “Above the Fold” In marketing speak, “above the fold” refers to postmodernism art what you see on the front half of who had no eyes summary a folded newspaper (or, in the digital age, before you scroll down on a website), but basically it’s your first impression of a document. In resume speak, it means you should make sure your best experiences and accomplishments are visible on the top third of your resume. This top section is what the hiring manager is going to see first—and what will serve as a hook for postmodernism art someone to keep on reading. So focus on A Target, putting your best, most relevant experiences first—and then check out art these five other marketing tricks to get your resume noticed . According to Zhang , the only occasion when an objective section makes sense is when you’re making a huge career change and need to explain from the get-go why your experience doesn’t match up with the position you’re applying to.

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There’s no shame in postmodernism getting help, so consider working with a professional resume designer. This is arguably the most important document of your job search, so it’s worth getting it exactly right! 13. Keep it Recent, Keep it Relevant. As a rule, you should only show the A Target most recent 10-15 years of your career history and only include the experience relevant to the positions to which you are applying.

And remember to allocate real estate on your resume according to importance. Art! If there’s a choice between including one more college internship or going into creation myth more detail about your current role, always choose the latter (unless a previous job was more relevant to postmodernism the one you’re applying to). 14. No Relevant Experience? No Worries! Don’t panic if you don’t have any experience that fits the bill. Instead, Zhang explains , focus your resume on your relevant and A Target Essay transferrable skills along with any related side or academic projects, and art then make sure to pair it with a strong cover letter telling the cultural management issues narrative of why you’re ideal for art the job. No matter how long you’ve been in a job, or how much you’ve accomplished there, you shouldn’t have more than five or six bullets in The Power Essay a given section. No matter how good your bullets are, the recruiter just isn’t going to get through them. Postmodernism Art! Check out these tips for writing impressive bullet points . You may be tempted to throw in tons of industry jargon so you sound like you know what you’re talking about, but ultimately you want your resume to be understandable to the average person. Remember that the first person who sees your resume might be a recruiter, an assistant, or even a high-level executive—and you want to be sure that it is readable, relevant, and A Target Essay interesting to postmodernism art all of them.

Use as many facts, figures, and numbers as you can in your bullet points. How many people were impacted by is foregrounded your work? By what percentage did you exceed your goals? By quantifying your accomplishments, you really allow the hiring manager to postmodernism art picture the level of work or responsibility you needed to achieve them. Even if you don’t actually work with numbers, here are some secrets to adding more to your resume . People hire performers, so you want to show that you didn’t just do stuff, but that you got stuff done! As you look at your bullet points, think about how you can take each statement one step further and add in what the benefit was to what is foregrounded your boss or your company.

By doing this, you clearly communicate not only what you’re capable of, but also the direct benefit the postmodernism employer will receive by titles hiring you. If you’re not sure how to explain your impact, check out these tips for art turning your duties into accomplishments . Describing soft skills on a resume often starts to sound like a list of meaningless buzzwords, fast. But being a “strong leader” or an “effective communicator” are important characteristics you want to get across. Think about how you can demonstrate these attributes in your bullet points without actually saying them. Zhang demonstrates here how you can show five different qualities with the same bullet point—try it yourself until you get the result you’re going for! 20. Don’t Neglect Non-Traditional Work. There’s no law that says you can only put full-time or paid work on your resume. Cross Management! So, if you’ve participated in a major volunteer role, worked part-time, were hired as a temporary or contract worker , freelanced, or blogged?

Absolutely list these things as their own “jobs” within your career chronology. If every bullet in your resume starts with “Responsible for,” readers will get bored very quickly. Use our handy list of postmodernism art better verbs to mix it up ! Use keywords in your resume: Scan the what is foregrounded job description, see what words are used most often, and make sure you’ve included them in your bullet points. Not only is art this a self-check that you’re targeting your resume to the job, it’ll make sure you get noticed in applicant tracking systems. Cross Cultural Issues! Stuck on which words to postmodernism art include? Dump the job description into titles a tool like TagCrowd , which will analyze and spit out the most used keywords. What words shouldn’t you include? Detail-oriented, team player, and hard worker—among other vague terms that recruiters say are chronically overused . Postmodernism! We bet there’s a better way to describe how awesome you are. 24. Experience First, Education Second.

Unless you’re a recent graduate, put your education after your experience. What Is Foregrounded! Chances are, your last couple of postmodernism jobs are more important and relevant to you getting the job than where you went to college. 25. Cross Issues! Also Keep it Reverse Chronological. Postmodernism! Usually, you should lay down your educational background by creation myth listing the most recent or advanced degree first, working in reverse chronological order. But if older coursework is more specific to the job, list that first to grab the reviewer’s attention. Don’t list your graduation dates. Postmodernism! The reviewer cares more about whether or not you have the degree than when you earned it.

If you graduated from college with high honors, absolutely make note of it. On Wal-Mart Essay! While you don’t need to list your GPA, don’t be afraid to showcase that summa cum laude status or the postmodernism art fact that you were in the honors college at your university. 28. Include Continuing or Online Education. Don’t be afraid to include continuing education, professional development coursework, or online courses in your education section, especially if it feels a little light. Kelli Orrela explains , “Online courses are a more-than-accepted norm nowadays, and your participation in them can actually show your determination and motivation to get the skills you need for your career.” Be sure to add a section that lists out all the relevant skills you have for a position, including tech skills like HTML and Adobe Creative Suite and any industry-related certifications. Just make sure to skip including skills that everyone is expected to have, like using email or Microsoft Word. Doing so will actually make you seem less technologically savvy. If you have lots of skills related to a position—say, foreign language, software, and leadership skills—try breaking out cultural management issues one of those sections and listing it on postmodernism, its own.

Below your “Skills” section, add another section titled “Language Skills” or “Software Skills,” and detail your experience there. No Eyes Summary! Again—we’re going for art skimmability here, folks! Feel free to include an “Interests” section on your resume, but only add those that are relevant to the job. Are you a guitar player with your eye on a music company? Definitely include it. But including your scrapbooking hobby for a tech job at a healthcare company? Don’t even think about it. Essay! 32. Postmodernism! Beware of Interests That Could Be Controversial. Maybe you help raise money for management issues your church on the reg.

Or perhaps you have a penchant for canvassing during political campaigns. Yes, these experiences show a good amount of work ethic—but they could also be discriminated against by someone who disagrees with the cause. Zhang explains here how to postmodernism weigh the decision of whether to include them or not. Do include awards and accolades you’ve received, even if they’re company-specific awards. Just state what you earned them for, e.g., “Earned Gold Award for having the company’s top sales record four quarters in a row.” What about personal achievements—like running a marathon—that aren’t totally relevant but show you’re a driven, hard worker? Zhang shares the is foregrounded proper ways to postmodernism include them.

Gaps and Other Sticky Resume Situations. If you stayed at management titles, a (non-temporary) job for art only a matter of months, consider eliminating it from your resume. According to The New York Times ’ career coach , leaving a particularly short-lived job or two off your work history shouldn’t hurt, as long as you’re honest about your experience if asked in an interview. If you have gaps of A Target on Wal-Mart a few months in your work history, don’t list the usual start and end dates for each position. Use years only (2010-2012), or just the number of years or months you worked at your earlier positions. If you’ve job-hopped frequently, include a reason for postmodernism art leaving next to each position, with a succinct explanation like “company closed,” “layoff due to downsizing,” or “relocated to management titles new city.” By addressing the postmodernism art gaps, you’ll proactively illustrate the reason for cross cultural your sporadic job movement and make it less of an issue.

Re-entering the postmodernism art workforce after a long hiatus? This is the perfect opportunity for a summary statement at the top, outlining your best skills and accomplishments. Then, get into your career chronology, without hesitating to include part-time or volunteer work. See more tips from Jenny Foss for killing it on your comeback resume. Don’t try to creatively fill in gaps on who had no eyes, your resume. For example, if you took time out of the workforce to raise kids, don’t list your parenting experience on your resume, a la “adeptly managed the growing pile of postmodernism art laundry” (we’ve seen it). While parenting is as demanding and intense a job as any out titles there, most corporate decision makers aren’t going to take this section of your resume seriously.

39. Ditch “References Available Upon Request” If a hiring manager is postmodernism art interested in you, he or she will ask you for references—and will assume that you have them. No Eyes Summary! There’s no need to address the art obvious (and doing so might even make you look a little presumptuous!). It should go without saying, but make sure your resume is is foregrounded free and clear of typos.

And don’t rely on spell check and grammar check alone—ask family or friends to art take a look at it for is foregrounded you (or get some tips from an editor on how to perfect your own work ). If emailing your resume, make sure to postmodernism always send a PDF rather than a .doc. That way all of your careful formatting won’t accidentally get messed up when the hiring manager opens it on his or her computer. To make sure it won’t look wonky when you send it off, Google’s head of HR Laszlo Bock suggests, “Look at it in a man who had summary both Google Docs and Word, and then attach it to an email and open it as a preview.” Ready to save your resume and send it off? Save it as “Jane Smith Resume” instead of “Resume.” It’s one less step the hiring manager has to take. Postmodernism! Carve out is foregrounded some time every quarter or so to pull up your resume and make some updates. Have you taken on art, new responsibilities? Learned new skills? Add them in. When your resume is updated on a regular basis, you’re ready to pounce when opportunity presents itself. And, even if you’re not job searching, there are plenty of The Power Narratives Essay good reasons to keep this document in postmodernism art tip-top shape. Photo courtesy of Hero Images / Getty Images . Erin Greenawald is a freelance writer, editor, and content strategist who is passionate about elevating the standard of writing on the web.

Erin previously helped build The Muse’s beloved daily publication and led the company’s branded content team. Who Had No Eyes Summary! If you’re an individual or company looking for postmodernism art help making your content better—or you just want to go out to tea—get in touch at eringreenawald.com. Hmmm, seems you#39;ve already signed up for who had summary this class. While you#39;re here, you may as well check out all the amazing companies that are hiring like crazy right now.

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Compared with normal solar charge controller, this MPPT controller could increase 10%-30% electrical power using efficiency from solar panel. MPPT 10A solar charge controller regulator is postmodernism, not only have above mentioned special function, at cultural management, the same time including completely Protecting and Controlling functions: Overcharge protection Over-discharge protection Battery Reverse Current Protection Overloading Protection. Short Circuit Protection Reverse Polarity Connection Protection. 2. Postmodernism Art. 1x Users` manual. Thank you very much for selecting our product.

This manual offers important information and suggestions with respect to installation, use and troubleshooting, etc. Please read this manual carefully before using the product and pay attention to the safety recommendations in it. This MPPT controller is not only have above mentioned special function,at the same time including completely Protecting and Controlling functions: Over discharge protection. Battery Reverse Current Protection. Short Circuit Protection. Reverse Polarity Connection Protection. DC £º 12V / 24V / 48V. ¡ 8mA/12V / 24V ¡ 30mA/48V. Max voltage of solar panel. 23V/12V £¬ 23V ¡ 2/24V,23Vg ¡ 4/48V.

Full charge cut. 14V/12V, ¡ 2/24V, ¡ 4/48V £¨ 25 ¡£© Low voltage cut. 10.5V/12V, ¡ 2/24V, ¡ 4/48V. 12.6V/12V, ¡ 2/24V, ¡ 4/48V. Electrical power using efficiency. Can increase 10 ¡« 30 ©‡ 188 ¡ 93 ¡ 55mm. 188 ¡ 118 ¡ 55mm. Solar Panel: 12V solar system should use 40pcs cells laminated solar panel.

The maximum power point voltage is over 18V. 24V solar system should use 2pcs above mentioned solar panels. 48V solar system should use 4pcs above mentioned solar panels. Conductor: The cable between solar panel with MPPT solar charge controller should be better calculated by 1Ampere per A Target, 1mm2. Solar Charge Controller: We have 12V, 24V and 48V three kinds of MPPT solar charge controllers with 10A, 20A, (other specifications could be designed as customer special request). Fit for power of solar panels: MPPT-20¡ª200Wp£¨12V£©, 40¡ª400Wp£¨24V£©, 80-800Wp (48V). 1.Connected the ¡°+¡±, ¡°-¡± poles of the battery to the controller (3, 4 from art left) firmly and correctly. At this time the LOAD green LED is bright. If the LOAD green LED is The Power Narratives, not bright, it is postmodernism, indicate there is battery reverse polarity connection. Only LOAD green LED is bright, we could continue next step operation.

2.Connected the ¡°+¡±, ¡°-¡± poles of the management titles solar panel to the controller (1,2 from the left) firmly and correctly. 3.Connected the ¡°+¡±, ¡°-¡± poles of the LOAD to. the controller (5,6 from the left) firmly and correctly. For 12V system, measure the art input voltage from solar panel with multimeter (terminal 1, 2 of controller), it is management titles, normal if the voltage of solar panel more than battery voltage 0.5-6V. Generally, the higher input voltage, the better charge efficiency. For 24v and postmodernism, 48V system, the hawaiian input voltage will be much more higher than battery voltage. (Note: It is normal phenomenon the controller can not find Maximum Power Point within 10 minutes from art system start.) 1.Load indicator, green, bright indicate there is on Wal-Mart Essay, output, Load could work, ¡°off¡± indicate there is not output, and postmodernism, Load can not work. 2.Low Voltage Indicator, red; bright indicate the voltage of the battery is low. Load could not normal working. This is normal phenomenon.

When the battery voltage recover to 12.6V or (25.2v), the Load will be automatically working, at what, this time the indicator is off. 3.Charge Indicator, red, bright indicate the postmodernism battery need to charge, flickering means float charging, off means charge has stop. Please notice the rated current of your controller, if there is titles, short circuit or overload happened, the postmodernism art MPPT controller will close output. (Load indicator off, Low voltage indicator off.) If you need the MPPT controller recover work, please check the reasons and cross management issues, clear out the fault firstly. Then put a small stick such as toothpick, ball-pen tip inside the RESET hole, and postmodernism, press RESET button will be OK. 1.Please check the rated voltage of the solar panel, battery, and load are all the management same with 12V or 24V or 48V. 2.Please pay attention to connection, do not connect the ¡°+¡± ¡°-¡± poles of art solar panels and loads wrong.( Wrong connection will be burn your MPPT controller)

3.Battery must be connected earlier than solar panels and load. When take off the system, Solar Panels must be take down first, then cut off battery. EMPPT-30 30A 12V 24V 48V Solar Charge Controller. The product adopts DC/DC converting technology and MCU technology. It can adjust the working point of the solar panels array intelligently to make the solar panels array realize the maximum power output. When the external condition changes, eMPPT controller bases on the MCU theory to creation myth track the maximum working point of the postmodernism art solar panels, this can improve the cross cultural using efficiency of the solar panels and decrease the solar generating cost. Postmodernism Art. Compared with average solar charge controllers, eMPPT can improve the no eyes output efficiency of the solar panels by 5% to 30 %( the art output increasing proportion affected by what is foregrounded, the factors such as the attribute of the postmodernism art solar panels, environmental temperature and lighting conditions). The product adopts in big screen lattice LCD, and uses the vivid icons to indicate the parameters. It has concise and titles, vivid interface. The product is art, wall mounting installation. What Is Foregrounded. Please refer to chapter 2.1 for the installing dimensions.

maximum power point tracking. Adopting DC/DC converting technology and MCU technology to art realize the no eyes maximum output of the solar panels. battery reversed connection protection. Battery polarity connecting to the controller reversely (under the postmodernism art condition not connecting solar panels) will not cause damage to controller. It can work normally after connecting right.

Anti-battery reverse discharge. When solar panels voltage is less than battery voltage, the battery will not charge to the solar panels array. Anti-solar panels reverse connection. Solar panels array polarity connecting to the controller reversely will not cause damage to controller. It can work normally after connecting right. three-stage charge control. Bulk Absorption Float. float charging voltage adjustable. The users can adjust the float charging voltage within a certain scope.

temperature compensation for float charging voltage. Referring to the current battery temperature, take 25 ¡ as a benchmark, the controller will compensate the float charging voltage by -4mV/Cell/ ¡ . For 12V battery, compensation voltage U=(t-25)*6*(-0.004)V £» For 24V battery, compensation voltage U=(t-25)*12*(-0.004)V £» For 48V battery, compensation voltage U=(t-25)*24*(-0.004)V. Elevating charging voltage adjustable. The users can adjust the elevating charging voltage within a certain scope. solar panel input deviated from maximum power point. When solar panel input power is over the acceptable power for the controller, the controller will make the solar panel work deviated from the who had no eyes summary maximum power to postmodernism art prevent itself damaged. So the controller charges the battery by rated current.

internal overheating protection. When the internal temperature sensor detects excessive temperature, the controller will stop working to prevent it being damaged. A Man No Eyes. It will resume working again when the postmodernism internal temperature drops to a certain degree. temperature controlling fan. When the of Slave Narratives internal temperature sensor detects the temperature exceeding a certain degree, the postmodernism controller will start the cooling fan until the temperature drops to The Power Narratives Essay a certain degree. panel over postmodernism voltage protection. When the input voltage of the solar panels exceeds the rated voltage, the controller will start protection automatically and cultural issues, stop working until the input voltage resumes back to the normal scope.

remote controlling function. This optional function can make it possible to view and set the postmodernism parameters of the system on PC. We suggest installing the controller on the vertical wall, and ensure there is the space over 10cm around the controller for issues, heat emission. 1. Art. We suggest the user to use the Essay sheathed cable with the postmodernism cross-sectional area over 6mm2. 2. We suggest installing breaker and fuse on the negative loop of battery and solar panels. 3. Set the controller¡¯s ground terminal to reliably connect to the system ground bus. 4. The capacity of the controller internal over The Power of Slave voltage absorption is limited. Please make sure connect the solar panel to the controller after connecting to the mine exchange line box. ¢Prepare 6 mm2 black and red sheathed cables, each one roll. Prepare several copper noses of§¶6-6mm2 since controller adopts in§¶6 terminals.

¢Hydraulic pliers(for crimping copper nose and cable) and 6 mm2 die, one couple, 10mm wrench, 2 sets, Phillips screwdriver, 1 set, cutting pliers, 1set. ¢Cut the postmodernism art cables according to the cabling requirement. Use hydraulic and who had, die to connect the art copper nose and cables tightly, and prepare all the The Power of Slave cables well. ¢If breaker is art, installed in the battery loop, please make the breaker open. If fuse is installed, please take out the fuse to prevent the hawaiian creation phenomena of postmodernism contact ignition. ¢Use the prepared cables to connect the on Wal-Mart +,- polarity of battery to the battery terminals on the controller. Please make sure the connecting of the polarity is postmodernism, correct. ¢Use the prepared cables to on Wal-Mart Essay connect the postmodernism solar panel output of the cultural management issues main convergence box to postmodernism art the solar panes terminals on management titles the controller. Postmodernism. Please make sure the connecting of the polarity is correct. ¢Use the what prepared cables to connect the postmodernism ground terminals to the ground box of the of Slave system. ¢ Insert the temperature sensor to the right place on the controller.

¢Close the breaker of the battery loop or insert the fuse of the battery loop, if the controller LCD screen starts to postmodernism art show the signal, the controller will start to work. And if the LCD has no signal, please check whether the connecting of the polarity is correct, whether the management titles connecting cables is in postmodernism good condition, whether the breaker is who had summary, closed, whether the postmodernism fuse is a man who had, inserter. Wait until the LCD has signal, and then go to next step. ¢Close the breaker of the solar panels loop or insert the fuse of the solar panels loop, then the controller LCD screen will show the solar panels voltage. Postmodernism. If the LCD shows the voltage is 0V, please check whether the breaker in hawaiian creation the solar panels loop is closed. EMPPT-60 60A 12V 24V 48V Solar Charge Controller MPPT. The product adopts DC/DC converting technology and MCU technology. It can adjust the working point of the art solar panels array intelligently to make the solar panels array realize the maximum power output. When the a man who had summary external condition changes, eMPPT controller bases on postmodernism art the MCU theory to track the maximum working point of the solar panels, this can improve the using efficiency of the solar panels and decrease the solar generating cost.

Compared with average solar charge controllers, eMPPT can improve the output efficiency of the solar panels by 5% to 30 %( the output increasing proportion affected by The Power Essay, the factors such as the attribute of the solar panels, environmental temperature and lighting conditions). The product adopts in big screen lattice LCD, and uses the vivid icons to indicate the art parameters. It has concise and vivid interface. Cross Management Issues. The product is wall mounting installation. Please refer to chapter 2.1 for the installing dimensions. maximum power point tracking.

Adopting DC/DC converting technology and art, MCU technology to realize the maximum output of the solar panels. battery reversed connection protection. Battery polarity connecting to the controller reversely (under the condition not connecting solar panels) will not cause damage to controller. It can work normally after connecting right. Anti-battery reverse discharge. When solar panels voltage is less than battery voltage, the battery will not charge to the solar panels array. Anti-solar panels reverse connection. Solar panels array polarity connecting to cross cultural management issues the controller reversely will not cause damage to controller.

It can work normally after connecting right. three-stage charge control. Bulk Absorption Float. float charging voltage adjustable. The users can adjust the float charging voltage within a certain scope.

temperature compensation for float charging voltage. Referring to the current battery temperature, take 25 ¡ as a benchmark, the controller will compensate the postmodernism art float charging voltage by who had no eyes, -4mV/Cell/ ¡ . For 12V battery, compensation voltage U=(t-25)*6*(-0.004)V £» For 24V battery, compensation voltage U=(t-25)*12*(-0.004)V £» For 48V battery, compensation voltage U=(t-25)*24*(-0.004)V. Elevating charging voltage adjustable. The users can adjust the art elevating charging voltage within a certain scope. solar panel input deviated from of Slave Narratives maximum power point.

When solar panel input power is over art the acceptable power for the controller, the controller will make the management titles solar panel work deviated from the maximum power to prevent itself damaged. So the postmodernism art controller charges the battery by rated current. internal overheating protection. When the internal temperature sensor detects excessive temperature, the who had no eyes controller will stop working to prevent it being damaged. Postmodernism. It will resume working again when the internal temperature drops to a certain degree. temperature controlling fan. When the internal temperature sensor detects the temperature exceeding a certain degree, the controller will start the cooling fan until the temperature drops to a certain degree. panel over voltage protection. When the input voltage of the no eyes summary solar panels exceeds the rated voltage, the art controller will start protection automatically and stop working until the input voltage resumes back to on Wal-Mart Essay the normal scope. remote controlling function.

This optional function can make it possible to art view and set the parameters of the system on PC. We suggest installing the controller on the vertical wall, and ensure there is the space over 10cm around the controller for heat emission. 1. Summary. We suggest the postmodernism art user to use the sheathed cable with the cross-sectional area over 6mm2. 2. What Is Foregrounded. We suggest installing breaker and fuse on postmodernism the negative loop of battery and solar panels. 3. What. Set the controller¡¯s ground terminal to art reliably connect to the system ground bus. 4. The capacity of the controller internal over voltage absorption is limited. Please make sure connect the solar panel to the controller after connecting to the mine exchange line box. ¢Prepare 6 mm2 black and red sheathed cables, each one roll.

Prepare several copper noses of§¶6-6mm2 since controller adopts in§¶6 terminals. ¢Hydraulic pliers(for crimping copper nose and is foregrounded, cable) and 6 mm2 die, one couple, 10mm wrench, 2 sets, Phillips screwdriver, 1 set, cutting pliers, 1set. ¢Cut the postmodernism cables according to the cabling requirement. Use hydraulic and die to hawaiian myth connect the copper nose and postmodernism art, cables tightly, and prepare all the cables well. ¢If breaker is installed in the battery loop, please make the breaker open. Titles. If fuse is installed, please take out the fuse to art prevent the phenomena of contact ignition. ¢Use the prepared cables to connect the +,- polarity of battery to the battery terminals on the controller. Please make sure the connecting of the polarity is correct.

¢Use the prepared cables to connect the solar panel output of the main convergence box to the solar panes terminals on the controller. Please make sure the connecting of the polarity is correct. ¢Use the prepared cables to connect the ground terminals to the ground box of the system. ¢ Insert the temperature sensor to the right place on the controller. ¢Close the breaker of the battery loop or insert the fuse of the what battery loop, if the controller LCD screen starts to postmodernism show the signal, the controller will start to work. And if the The Power Narratives Essay LCD has no signal, please check whether the connecting of the polarity is postmodernism, correct, whether the hawaiian myth connecting cables is in art good condition, whether the breaker is closed, whether the fuse is The Power Narratives, inserter. Wait until the LCD has signal, and postmodernism, then go to what next step. ¢Close the breaker of the solar panels loop or insert the fuse of the solar panels loop, then the controller LCD screen will show the solar panels voltage. If the LCD shows the voltage is 0V, please check whether the breaker in postmodernism the solar panels loop is of Slave Narratives Essay, closed. Tracer A series MPPT solar charge controller.

Tracer A series adopts common positive design and advanced MPPT control algorithm. The products can track the MPP point fast and postmodernism, accurately in any situation which will improve energy efficiency and obtain the maximum solar energy. • Advanced MPPT technology. • High tracking efficiency no less than 99.5% • Peak conversion efficiency of 98% • Ultra-fast tracking speed. • Accurately recognizing and tracking of multiple power point. • Multi-function LCD displays system information intuitively. • User programmable for battery types, load control etc. • 3-Stage charge with PWM output. • Common positive grounding design.

• RS485 port with industrial standard MODBUS open architecture. • Fully programmable function via PC software or remote meter. • PV reverse polarity protection. • PV short circuit protection. • PV over current alarm protection. • Battery overcharge protection. • Battery over discharge protection.

• Battery reverse polarity protection. • Load short circuit protection. • Load overload protection. • Controller overheating protection. Nominal system voltage. 12/24V auto work. Rated battery current.

Rated load current. Max. PV open circuit voltage. 100V(at minimum operating environment temperature) 92V(at 25¡ environment temperature) Battery input voltage range. Max. PV input power. Equalize charging voltage.

Sealed: 14.6V, Flooded: 14.8V. Boost charging voltage. Gel: 14.2V,Sealed: 14.4V,Flooded: 14.6. Float charging voltage. Low voltage reconnect voltage. Low voltage disconnect voltage. RS485 / RJ45 interface. Tracer BN series MPPT solar charge controller Negative controller) New Tracer series is the second generation of MPPT controller. Compared with CLASSIC Tracer series, it has extensive communication ability. And the die-cast aluminum design ensures excellent heat dispersion.

¡¤Innovative MPPT technology. ¡¤Peak conversion efficiency of 98% ¡¤High tracking efficiency up to 99% ¡¤Several seconds tracking speed. ¡¤Die-cast aluminum design and who had, nature cooling. ¡¤Diversified load control to meet different requirements. ¡¤Four battery type options: Sealed, Gel, Flooded, and USER. ¡¤Intelligent lighting and timer control for solar lighting system. ¡¤Energy statistics function. ¡¤RS485 ports with MODBUS communication protocol. ¡¤Optional PC monitoring software and remote meter for real-time monitoring and battery management parameter setting.

¡¤Field upgradable firmware. ¡¤PV short circuit protection. ¡¤PV overvoltage alarm protection. ¡¤PV current limiting protection. ¡¤PV reverse polarity protection. ¡¤Battery overcharge protection. ¡¤Battery over discharge protection. ¡¤Battery reverse polarity protection. ¡¤Load overload protection. ¡¤Load short circuit protection. Nominal system voltage.

12/24V auto work. Rated battery current. Rated load current. Max. PV open circuit voltage. Max. battery voltage. Max. PV input power. Equalize charging voltage.

Sealed: 14.6V, Flooded: 14.8V,USER: 9. Boost charging voltage. Gel: 14.2V,Sealed: 14.4V,Flooded: 14.6VUSER: 9. Float charging voltage. Gel /Sealed /Flooded: 13.8V, USER: 9. Low voltage reconnect voltage. Gel /Sealed /Flooded: 12.6V, USER: 9. Low voltage disconnect voltage. Gel /Sealed /Flooded: 11.1V, USER: 9. RS485 / RJ45 interface. Tracer Series MPPT solar charge controller.

¡¤Peak conversion efficiency of 97% ¡¤High Tracking efficiency of 99% ¡¤Several seconds tracking speed. ¡¤4-Stage charge with PWM output. ¡¤Nature convection cooling. ¡¤Full power output in postmodernism art ambient temperature up to 45 ¡. ¡¤Sealed, Gel and Flooded battery option. ¡¤Widely used, automatically recognize day/night. ¡¤Diversified load control. ¡¤RJ45 interface optional meter. ¡¤2 years warranty. ¡¤PV short circuit protection. ¡¤PV reverse polarity protection. ¡¤PV overvoltage alarm protection.

¡¤PV over current protection. ¡¤Battery overcharge protection. ¡¤Battery over discharge protection. ¡¤Battery reverse polarity protection. ¡¤Load short circuit protection. ¡¤Load overload protection. Rated system voltage.

12/24V auto work. Rated battery current. Rated load current. Max.PV open circuit voltage. Max.PV input power. 12V 130W; 24V 260W. Charge Circuit Voltage Drop. Discharge Circuit Voltage Drop. TTL232 / 8 pin RJ45. Storage temperature range.

156mm x 97mm x 68mm. Mounting hole size. Rated system voltage. 12/24V auto work. Rated battery current. Rated load current. Max.PV open circuit voltage. Max.PV input power. 12V 260W£¬ 24V 520W. Charge Circuit Voltage Drop. Discharge Circuit Voltage Drop.

TTL232 / 8 pin RJ45. Storage temperature range. 169mm x 118mm x 83mm. Mounting hole size. Rated system voltage. 12/24V auto work. Rated battery current. Rated load current. Max.PV open circuit voltage. Max.PV input power.

12V 390W£¬ 24V 780W. Charge Circuit Voltage Drop. Discharge Circuit Voltage Drop. TTL232 / 8 pin RJ45. Storage temperature range. 242mm x 169mm x 91mm. Mounting hole size. Rated system voltage. 12/24V auto work. Rated battery current.

Rated load current. Max.PV open circuit voltage. Max.PV input power. 12V 500W£¬ 24V 1000W. Charge Circuit Voltage Drop. Discharge Circuit Voltage Drop. TTL232 / 8 pin RJ45.

Storage temperature range. 242mm x 169mm x 91mm. Mounting hole size. Itracer MPPT solar charge controller. iTracer is an industrial grade product with advanced Maximum Power Point Tracking (MPPT) algorithm. It can deliver the maximum available power for charging batteries and charge a lower nominal voltage battery from a higher nominal voltage array. Advanced MPPT algorithm with the max. tracking efficiency of titles 99% Multi-phase synchronous rectification technology realizing peak conversion efficiency 98% Dual-core(ARM CPU+DSP) control architecture improves the system response speed and optimizes the performance of the system. Multiphase control technology, optimizes charging current smoothness, reduces ripple and postmodernism, improves the titles system efficiency. 128*64 dot-matrix LCD intuitively displays data and state, 6 buttons combinations for easy operation.

Four battery type options: Sealed, Gel, Flooded and User-defined. Energy statistics recording, it is convenient for users to view charging and postmodernism, discharging energy of each day, month, year and total value. Diversified load control mode. Programmable battery management parameters. Built-in running data and cultural issues, event logging, max. 15 months. Extensive communication capabilities (RS232,RS485 with Modbus protocol, CAN Bus extendable) PC software available for real time monitoring and parameter setting. Field upgradable firmware. PV short circuit protection. PV overvoltage protection.

PV over current protection. PV reverse polarity protection. Reverse current protection at art, night. Over temperature protection. Battery reverse polarity protection. Load overload protection. Load short circuit protection.

Rated system voltage. 12V/24V /36V/48V auto work. Rated battery current. Rated load current. Max. PV open circuit voltage. Max.PV input power. Equalize charging voltage. Sealed: 14.6V, Flooded: 14.8V, User-defined: 9. Boost charging voltage.

Gel: 14.2V, Sealed: 14.4V, Flooded: 14.6V, Float charging voltage. Gel /Sealed /Flooded: 13.8V, User-defined: 9. Low voltage reconnect voltage. Gel /Sealed /Flooded: 12.6V, User-defined: 9. Low voltage disconnect voltage. Gel /Sealed /Flooded: 11.1V, User-defined: 9.

Peak conversion efficiency. Storage temperature range. Etracer MPPT Solar Charge controller. eTracer is an advanced Maximum Power Point Tracking (MPPT) controller for off-grid photovoltaic (PV) systems up to who had summary 3KW. The controller features a smart tracking algorithm that maximizes the energy harvest from the PV by rapidly finding the solar array peak power point in all the weather condition. ¡¤12/24/36/48V auto work. ¡¤Advanced MPPT technology. ¡¤Several seconds tracking speed.

¡¤High Tracking efficiency of 99% ¡¤Multiphase synchronous rectification technology. ¡¤Peak conversion efficiency of 98% ¡¤DSPARM processors architecture ensures high speed and performance. ¡¤Gel, Sealed, Flooded battery option. ¡¤Max. 450 days data logging by connection to postmodernism PC. ¡¤Multifunction LCD displays system data and status.

¡¤Three kinds of communication ports :RS232, CAN BUS and Ethernet. ¡¤Three stages charging optimizes battery performance.

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Formatting Your Dissertation in Word. After all the work of writing your dissertation, there's one last hurdle. The document must be formatted correctly for the Graduate School to accept it. Postmodernism Art? This article details procedures to format a Word document to meet those guidelines. These procedures are, of course, useful for titles formatting other documents as well. The Graduate School makes its dissertation format guidelines available online at http://info.gradsch.wisc.edu/admin/academicservices/pguide.html. This article contains excerpted information from that web site along with related techniques, and some problems and solutions. Art? It is not intended to replace the guidelines themselves; it is simply a guide to implementing some of them in Word. You may put unusual or supplementary materials (such as questionnaires or copies of photographs) into appendices.

Number the appendices consecutively with the text of the dissertation. The margins of the appendices must meet the standards for the rest of the dissertation. You may want to make each appendix or the collection of who had no eyes, appendices into a separate section or even a separate file. This is not necessary, as the formatting should be identical to the primary document. It can be helpful for printing, or if you want to sort alphabetically, or just to keep your document more structured and facilitate movement within the document.

To add a section break: Go to Insert , then select Break . In the Break menu, you will probably want to postmodernism, go with Next Page - the default. Summary? This will help you ensure that your appendices each start on a new page. The bibliography should meet your major department's style requirements, which often conform to the leading journals or book series of the field. It may be single-spaced with an additional space between entries. To set line spacing: Go to the Format menu. Postmodernism? Select Paragraph , and select the Indents and Spacing tab.

Equations, Superscripts, and Subscripts. Equations, superscripts, and subscripts are acceptable provided they are legible when microfilmed. Generally, superscripts and subscripts may be one size smaller than the text. To identify each equation clearly, please isolate it with double spacing. To insert a subscript or superscript:

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Footnotes and endnotes may be single-spaced with an extra space between notes. Follow the who had no eyes preference of your major department when deciding where footnotes or endnotes should be placed in your text. To insert a footnote: In Print Layout view, click where you want to insert the note reference mark. Click Insert , Reference , and art Footnote . Click Footnotes or Endnotes . By default, Word places footnotes at the end of each page and endnotes at the end of the document. You can change the placement of is foregrounded, footnotes and endnotes using the menus next to Footnotes or Endnotes . In the postmodernism art Number format box, click the format you want. Click Insert . Myth? Word inserts the postmodernism note number and places the is foregrounded insertion point next to the note number. Type the note text.

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On the other hand, sticking with one program will avoid this and many similar problems entirely. You may include quotations in languages other than English in your dissertation. However, the dissertation itself must be in English unless your department certifies that one or both of the following conditions have been met: the foreign language is that of the readers to whom the work is addressed; or translation into English would make the study obscure and art imprecise. Note that some foreign language fonts and spell-checking are available on the Winstat servers. Computer generated figures and graphs must meet the same standards as the rest of the dissertation. Complete original material with a permanent, non-water soluble black ink. Do not use pencils, ball point, or felt tip pens. Labels on photographs, charts, or other figures must be permanent. Hawaiian? Headings, keys, and all other identifying information must be of the postmodernism art same quality of print as the creation text. Art? If graphics, tables, or figures are in landscape mode, place the management top of the printed page at postmodernism, the dissertation binding edge (left side of the paper) with the what is foregrounded page number in the upper right-hand corner in the portrait page setup.

To insert an image, you really only postmodernism art need to management, know the name and location of the postmodernism art image file: Within the document, place the cross cultural issues cursor where you want the image to be inserted. Art? Go to the Insert menu, and select Picture , and then From File . Select the image. It will be inserted into the document. You can use the issues Picture or Drawing toolbars to postmodernism art, manipulate it. The Word Help menu has step-by-step instructions. Be careful not to change the titles proportions of the postmodernism image, such as changing the height without changing the width. This is especially important with graphs. Use a minimum of 1 margin on all four sides.

To set margins: Click on File . Click on Page Setup . Click on the Margins tab, and edit the settings for the left, right, top and bottom margins. Page numbers are required and must be placed in the upper right-hand corner one inch from both the top and the side of the what is foregrounded paper. The title page and the copyright page are not counted in the numbering of pages. All other pages are. Number the preliminary pages (for example, dedication page, acknowledgments page, table of tables, and postmodernism art abstract) that precede the main text with lower case Roman numerals beginning with i. Number the main text consecutively beginning with Arabic numeral 1 in the upper right-hand corner one inch from both top and side of the of Slave Narratives paper. Check your dissertation to ensure that all pages are present and in numerical order. Number appendices consecutively with the postmodernism art text, continuing the Arabic numeral sequence.

To insert page numbers: Click Insert , Page Numbers . In the Position box, specify whether to management, print page numbers in the header at postmodernism, the top of the page or in the footer at the bottom of the page. In the Alignment box, specify whether to align page numbers left, center, or right relative to the left and right margins, or inside or outside relative to the inside and outside edges of a man summary, pages that will be bound. If you don't want a number on the first page, uncheck Show number on first page . Select any other options you want. Putting each chapter of your dissertation in postmodernism art a separate file is a very good idea, but you'll need to set the starting page number for the later chapters: Click Insert , Page Numbers . Click Format . At the bottom, under Page Numbering , select Start At . Type in the page number for the first page. To move page numbers: On the View menu, click Header and Footer . If you positioned the what page numbers at the bottom of the page, click Switch Between Header and Footer on the Header and Footer toolbar. Click the postmodernism page number to make its frame appear.

Click on the frame to what, select it. Move the pointer over the frame's border until the pointer becomes a four-headed arrow, and then click to see the postmodernism art frame's sizing handles. Drag the frame and page number to what, a new location. To rotate the page numbers for pages that are printed in postmodernism art landscape format: Select the object you want to management, rotate. Click Draw on the Drawing toolbar. Point to Rotate or Flip. Click Rotate Left or Rotate Right . Do not number the title page.

The title page must be double-spaced. Do not use page headers (except for page numbers) or decorative borders. Problem : I am trying to postmodernism, stop the hawaiian myth header from appearing on the first page. I only want it on the subsequent pages. Solution : You can leave the header or footer off the first page or create a unique first page header or footer for the first page in a document or the first page of each section within a document. If your document is divided into sections, click in a section or select multiple sections you want to change. Click anywhere in the document if your document is not divided into sections. On the postmodernism art View menu, click Header and Footer . On the hawaiian Header and Footer toolbar, click Page Setup . Postmodernism? Click the Layout tab.

Select the Different first page check box, and then click OK . A Man Summary? If necessary, click S how Previous or Show Next on the Header and Footer toolbar to postmodernism art, move into A Target on Wal-Mart Essay, the First Page Header area or First Page Footer area. Create the header or footer for the first page of the document or section. If you don't want a header or footer on the first page, leave the header and footer areas blank. Problem : You have a Word document and want to postmodernism art, get rid of the formatting. Solution : You can highlight the entire document (press Ctrl-a ), copy it, then open a new document and go to Edit , Paste Special , choose Unformatted Text and click OK . This is a drastic solution, to Essay, be used when there are too many format settings scattered throughout the document to just find and remove them. Problem : You want to change the font in an entire Word document.

Solution : You can select all ( Ctrl-a ) and then go to font and art size, to change the font for the whole document. Problem : You want to get rid of odd indents that are left over from previous formatting. Solution : Just use the Backspace key, and then Tab to get proper indents. Problem : The font changed in mid-document. How did it happen and how can you fix it? Solution : This is usually leftover information from something that had probably been inserted and then deleted, but the formatting information remained.

You can use What's This? from the Help menu to find the problem area, and then just change the formatting in that area. Problem : You don't want section breaks in your document. What? How can you get rid of them? Where did they come from in the first place? Solution : Word does not insert section breaks automatically--this usually comes up when more than one person works on a document.

Sections can be useful when large formatting changes are made, e.g. switching between portrait and landscape page orientation, or to postmodernism art, demarcate sub-documents within a document. To remove section breaks, select the section break and then either press Delete or click Edit , Cut . On Wal-Mart? Note that you cannot delete a section break just by backspacing over it. The Backspace and Delete keys don't affect section breaks unless you select them specifically. Problem : You have a page break that you don't want in your document. Solution : You should be able to just delete this using the Delete or Backspace key. This may leave you with some formatting problems, though, which you can find and correct using What's This? or Reveal Formatting . Problem : How can you keep text from postmodernism art, being split up across pages?

Solution : You simply highlight the whole area, and choose Format , Paragraph , choose the what is foregrounded Line and Page Breaks tab, and check Keep lines together . Art? Note that this can lead to some awkward page breaks, if the blocks that are kept together are very large. To undo this protection, you can turn off Widow/Orphan Protection, and Keep Lines Together. [both? not just undo what you just did?] Problem : You and your advisor are both editing the document and you want to be able to management titles, see your advisor's suggestions without necessarily accepting them. Solution : You can both use the features found on the Review toolbar. These include comments and tracking changes.